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RN - Realizacja Natychmiastowa oznacza że towar znajduje się na stanie magazynowym sklepu i zostanie wysłany do klienta w ciągu 2 - 3 dni roboczych

RM - realizacja do 30 dni

RC - realizacja może potrwać powyżej 30 dni

D - DELETED - produkt niedostępny - proszę nie zamawiać do momentu zmiany oznaczenia

W przypadku wybrania metody płatności: "Przedpłata na konto" klient powinien dokonać wpłaty dopiero po powiadomieniu przez sprzedawcę o gotowej realizacji zamówienia.

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FACES

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Tytuł:IN CONCERT 1970-71

Wytwórnia:CANTARE

Rok:1970-71/RM

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Hard Rock, Blues Rock

Wydanie digi-pack

Tracklist
1. "You're My Girl (I Don't Want To Discuss It)" (John Peel's Sunday Concert Paris Theatre June 25th 1970)
2. "Wicked Messenger" (John Peel's Sunday Concert Paris Theatre June 25th 1970)
3. "Devotion" (John Peel's Sunday Concert Paris Theatre June 25th 1970)
4. "I Feel So Good" (John Peel's Sunday Concert Paris Theatre June 25th 1970)
5. "You're My Girl (I Don't Want To Discuss It)" (John Peel's Sunday Concert Paris Theastre May 13th 1971)
6. "Bad 'n' Ruin" (John Peel's Sunday Concert Paris Theastre May 13th 1971)
7. "It's All Over Now" (John Peel's Sunday Concert Paris Theastre May 13th 1971)
8. "Had Me A Real Good Time" (John Peel's Sunday Concert Paris Theastre May 13th 1971)
9. "(I Know) I'm Losing You" (John Peel's Sunday Concert Paris Theastre May 13th 1971)

When Steve Marriott left the Small Faces in 1969, the three remaining members brought in guitarist Ron Wood and lead singer Rod Stewart to complete the line-up and changed their name to the Faces, which was only appropriate since the group now only slightly resembled the mod-pop group of the past. Instead, the Faces were a rough, sloppy rock & roll band, able to pound out a rocker like 'Had Me A Real Good Time,' a blues ballad like 'Tell Everyone,' or a folk number like 'Richmond' all in one album. Stewart, already becoming a star in his own right, let himself go wild with the Faces, tearing through covers and originals with abandon. While his voice didn't have the power of Stewart, bassist Ronnie Lane's songs were equally as impressive and eclectic. Wood's rhythm guitar had a warm, fat tone that was as influential and driving as Keith Richards' style.