ARIEL
Tytuł:Perspectives
Wytwórnia:Paisley Press
Rok:1985/RM
Witamy, Zaloguj się
RN - Realizacja Natychmiastowa oznacza że towar znajduje się na stanie magazynowym sklepu i zostanie wysłany do klienta w ciągu 2 - 3 dni roboczych
RM - realizacja do 30 dni
RC - realizacja może potrwać powyżej 30 dni
D - DELETED - produkt niedostępny - proszę nie zamawiać do momentu zmiany oznaczenia
W przypadku wybrania metody płatności: "Przedpłata na konto" klient powinien dokonać wpłaty dopiero po powiadomieniu przez sprzedawcę o gotowej realizacji zamówienia.
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Prog - rock
Po raz pierwszy na CD
A super obscure but impressive album, now gaining global attention. Its sound is heavily influenced by early 80s Rush, King Crimson, and surprisingly, Doldinger's Passport, with a fusion twist. Featuring instrumental guitar, keys, and drums, the compositions are complex yet tight.
Tracklist
1 Another Time, Another Place
2 Banana Blues
3 Moment Of Weakness
4 Folk Dance
5 Ugh Huh
6 Jupiter Whale
7 The Ballad Of Kid Rock
Musicians
Drums, Percussion – Bob Sheldon
Guitar – Marchristiansen
Keyboards, Synthesizer, Piano – Tony Kampick
From the far south Chicago suburbs, comes the super obscure Ariel, an album that is just now making its sound heard worldwide. Early 80s Rush is the most obvious first influence, but there's more here than meets the ear as it were. All instrumental guitar, keys, and drums are the core components, and the compositions are complex and tight - with a strong fusion influence. No escaping the King Crimson sound from the era either, but also (surprisingly) Doldinger's Passport, minus the sax (imagine the sequencer heavy Moog lines for example). If we were to really deep dive here, I would compare Ariel to fellow Chicagoan's Proteus, mixed with the UK group Red (on Jigsaw). While Side 1 is impressive enough, the final three tracks do nothing short of wow the listener. And they close with their peak composition, always a hallmark of a great album. Ariel does not belie its mid 80s sound (despite the somewhat psych influenced guitar tone), and yet compared with the normal dreck from the era, the band proves the middle 80s were not a total wasteland (heavy metal genre exempted of course). This one deserves the buzz its currently receiving in the underground.