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RYPDAL,TERJE ( LP ) Norwegia

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Tytuł:Bleak House

Wytwórnia:Free Flow Archive

Rok: 1968/RN

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Jazz - rock z elementami psychodelii i blues - rocka .

Nowa reedycja albumu . Oryginalna okłdka Remaster 2025

Wydanie 180 gram

Tracklist

side A

A1. Dead Man's Tale 7:03

Soloist – Christian Reim

A2. Wes 4:15

Winter Serenade 6:04
A3.a Falling Snow
A3.b Snow Storm
A3.c Melting Snow

side B
B1. Bleak House 7:05
Soloist – Jan Garbarek
B2. Sonority 5:21
Soloist – Jan Garbarek

B3. A Feeling Of Harmony 2:29

Musicians
Alto Saxophone, Flute – C. M. Neumann (tracks: A2 to B2)
Baritone Saxophone – Hans Knudsen (2) (tracks: A2, B2)
Bass – Terje Venaas (tracks: A2 to B2)

Drums – Jon Christensen (tracks: A2 to B2), Tom Karlsen (tracks: A1)
Guitar, Flute, Vocals – Terje Rypdal
Horn – Frøydis Ree Hauge (tracks: B2, B3), Odd Ulleberg (tracks: B2, B3)
Piano, Organ – Christian Reim (tracks: A1 to B2)

Tenor Saxophone – Knut Riisnæs (tracks: A3)
Tenor Saxophone, Flute, Bells – Jan Garbarek (tracks: A2 to B2)
Trombone – Frode Thingnæs (tracks: B1, B2), Kjell Haugen (tracks: A2, B1, B2), Tore Nilsen (tracks: A2), Øivind Westby (tracks: A2)
Trumpet – Ditlef Eckhoff (tracks: A2), Jarl Johansen (tracks: A2 to B2), Kåre Furuholmen (tracks: A2, B1)
Tuba – Frode Thingnæs (tracks: B1, B2)

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Arranged By – Knut Riisnæs (tracks: A2, B1, B2)
Composed By – Terje Rypdal
Conductor – Knut Riisnæs (tracks: A2, B1, B2)
Engineer [Recording] – Roger Arnhoff
Photography By – Sohlberg Foto
Piano, Organ – Christian Reim (tracks: A1 to B2)
Producer – Terje Rypdal
Recording Supervisor – Odd Løken

350g cover180g vinyl
℗ 1968 Polydor, Universal Music NorwayLicensed by Universal Music S.r.l.2025 Free Flow Archive / Cinedelic S.r.l.

The 1968 debut album from Norwegian guitar legend Terje Rypdal stands as a significant entry in the late 1960s jazz landscape, exemplifying the transition from psychedelic rock to a more intricate, freeform blend of jazz elements. Collaborating with legendary musicians like Jan Garbarek, Rypdal's work on this album showcases his innovative talent. Recorded during three sessions in Oslo in 1968, 'Bleak House' marks Rypdal's departure from the psychedelic group The Dream as he ventured into new musical territories. He would go on to become one of the most recognizable instrumentalists in European jazz, with releases on the ECM label filled with his searing, evocative guitar sounds that evoke a future tundra. Though only 21 at the time, Rypdal was already creating music that was incredibly mature, smooth, and sophisticated. While it undeniably captures the essence of the '60s, it remains enjoyable today. The album, originally released on Polydor, features slight Latin and blues influences, along with big-band arrangements that are both well-crafted and enchantingly loose. The reissue of 'Bleak House' offers much to unpack. Historically, it represents a bridge in the European transition from jazz-rock to a unique avant-garde/free jazz hybrid. Even at this early point in his career, Rypdal's ability to incorporate post-bop, fusion, and avant-garde elements into a cohesive album was an impressive feat of imagination. Rypdal has always been a bold composer, capable of weaving intoxicatingly discordant melodies, as exemplified in tracks like 'Winter Serenade,' or evoking an unearthly sadness in his more reflective pieces. 'Bleak House' is a timeless and important recording, and it is a pleasure to hear it in this 180g virgin vinyl format. A must-listen for anyone interested in the evolution of modern jazz.