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THIRTEENTH (13th) FLOOR ELEVATORS

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Tytuł:The Psychedelic Sounds

Of The 13th Floor Elevators

Wytwórnia:Charly Records

Rok: 1966/RN

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Psych - rock

Nowa edycja albumu . Remaster 2024

Tracklist

1 You're Gonna Miss Me
Author – Roky Erickson 2:24
2 Roller Coaster
Author – Roky Erickson, Stacy Sutherland, Tommy Hall 5:00
3 Splash One (Now I'm Home)
Author – Clementine Hall, Roky Erickson 3:50
4 Reverberation (Doubt)
Author – Roky Erickson, Stacy Sutherland, Tommy Hall 2:46
5 Don't Fall Down
Author – Roky Erickson, Tommy Hall 3:00
6 Fire Engine
Author – Roky Erickson, Stacy Sutherland, Tommy Hall 3:22
7 Through The Rhythm
Author – Stacy Sutherland, Tommy Hall 3:05
8 You Don't Know (How Young You Are)
Author – Rayward Powell St. John 2:38
9 Kingdon Of Heaven
Author – Rayward Powell St. John 3:05
10 Monkey Island
Author – Rayward Powell St. John 2:38
11 Tried To Hide
Author – Stacy Sutherland, Tommy Hall 2:43

Musicians

Bass – Benny Thurman, Ronnie Leatherman
Drums – John Walton
Jug, Vocals – Tommy Hall
Lead Guitar – Stacy Sutherland
Vocals, Guitar – Roky Erickson

Phonographic Copyright ℗ – International Artists Producing Corp.
Copyright © – Charly Acquisitions Ltd.

Comes in a digisleeve and printed inner wallet.
Half Speed Master Edition

1966 debut album by Texan pioneers of psychedelia. Presenting the HIT singles 'You're Gonna Miss Me' and 'Reverberation'

This ground-breaking album not only defined psychedelic rock but informed punk a decade later, influencing everyone from Led Zeppelin to The Cramps. Originally issued in November 1966, this album has not only continued to gain importance but also world-wide recognition as the first bona fide psychedelic rock album.

This is a facsimile edition of the original mono mix, a faithful reproduction of what was pressed in 1966. It represents the authentic sound and TRANSFORMATIVE POWER of The Psychedelic Sounds of The 13th Floor Elevators.

The mono pressing is highly prized for its uncompromising solid-sounding mix. Meticulous attention to detail has gone into this reissue and the digitisation to make sure every detailed nuance was preserved. A 96KHZ-24bit pass, using a valve signal at minus ten decibels (to eliminate turntable rumble), was conducted several times in order to gauge the best results. No attempt was made to rebalance or EQ. A half speed master was then cut at AIR Mastering and a test pressing was then dubbed using the same process and the dynamic range compared against the original pressing. The result was a better sound pressing than the original!