MODULO MIL (Módulo 1000 )
Tytuł: Nao Fale Com Paredas
Wytwórnia: World In Sound
Rok: 1972/RM
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RM - realizacja do 30 dni
RC - realizacja może potrwać powyżej 30 dni
D - DELETED - produkt niedostępny - proszę nie zamawiać do momentu zmiany oznaczenia
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Tytuł: Nao Fale Com Paredas
Wytwórnia: World In Sound
Rok: 1972/RM
Heavy -psych - rock .
Nowa edycja albumu + 8 bonusów .
Oryginala okładka albumu rozkładana na trzy części ( dokładna replika okładki płyty winylowej) dodatkowo 12- stronicowa książeczka .+ zdjęcie zespołu z brytyjskiej okładki albumu
Tracklist
1 Turpe Est Sine Crine Caput 6:13
2 Não Fale Com Paredes 3:23
3 Espêlho 2:45
4 Lem - Ed - Êcalg 1:15
5 Ôlho Por Ôlho, Dente Por Dente 4:52
6 Metrô Mental 6:16
7 Teclados 1:24
8 Salve-Se Quem Puder 3:51
9 Animália 1:45
bonus tracks
10 Ferrugem E Fuligem 3:09
11 Curtíssima 1:36
12 The Cancer Stick 2:53
13 Waiting For Tomorrow 2:56
14 Big Mama 2:17
15 Isto Não Quer Dizer Nada 2:33
16 Gloriosa 2:23
17 Cafusa 3:35
Musicians :
Bass – Eduardo
Drums – Candinho
Electric Guitar, Acoustic Guitar, Vocals – Daniel
Organ, Piano, Vocals – Luiz Paulo
Tracks 1 to 9 originally released as " Não Fale Com Paredes " on vinyl in 1972 in Brazil.
Tracks 10 & 11 from LP Equipe Mercado, Módulo 1000, Som Imaginario, Tribo " Posições " ( 1971 )
Tracks 12 & 13 from single A and B-side ( 1972 ) credited to Love Machine ( Modulo 1000 under pseudonym )
Tracks 14 & 15 from single A and B-side ( 1970 )
Track 16 from LP V / A " A Juventude " ( 1970 )
Track 17 from LP V / A " V Festival Internacional Da Cancao Vol 1. " ( 1970 )
Tracks 1 to 9 recorded in Rio De Janeiro, Brazil, in 1971.
This reissue comes with 8 bonus tracks (10-17) and the original cover artwork
Re-release in jewel case. Modulo 1000 is one of Brazil's famous progressive-psych rock bands of the early 1970s. Their only album (from 1972) became legendary in the collectors scene as one of the best South American records of all times besides Laghonia, Emiliano Zapata, Traffic Sound or Opus Alfa. As Luiz Simas (organ) remembers: "The music of Modulo 1000 had its own appeal to an audience that wanted a heavy, raw, experimental, psychedelic sound. Our kind of music did not make it to the radio stations. It was too wild. The distribution of the record was done in a very limited way. The record label directors, which probably didn't understand or even didn't like our music, did zero promotion for it."